an open field

This essay first appeared in Frogpond Volume 34 Number 3 Going organic: line break in free form haiku   Lynne Rees The line is the fundamental structuring tool in writing poetry and understanding how and when and why to use it is even more essential in the writing of free verse [1] where neither poet nor reader has the guide of a predetermined metrical pattern or stanza structure. I remember the moment, back in the mid 1990s, when I suddenly ‘got’ line break, a real eureka moment that illuminated the correlation between form and content in free verse poetry. Over the years I developed and refined my ideas about the structuring possibilities available to free verse poets but when, in 2006, I started studying and writing haiku, my, by now inbuilt, free-verse poet’s attention to form was more of a hindrance than a help. Line breaks that could be supported in a longer free verse poem were now shouting from the page. ‘Yoo hoo!’ they called. ‘Aren’t I a clever girl?!’ An...

This is the first ever Welsh national anthology of haiku poetry. Concise, precise and evocative, and taking us on a journey through and around the ordinary and extraordinary aspects of everyday life, these poems have been selected and edited by three highly respected pioneers of the haiku in Wales - Nigel Jenkins, Ken Jones and Lynne Rees. another country was launched in Wales in March 2011 at the Dylan Thomas Centre in Swansea and at the Aberystwyth Arts Centre. Available from Gomer Press .