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What’s Unsaid

two people kissing
through the café window
the glitter of rain

That’s what she told me when she came home.

It was already dark. Everyone had left except for the old man. She turned the ‘Closed’ sign to face the street, wiped down all the other tables, emptied ashtrays, refilled ketchup bottles, and straightened the plastic menus. She went out back for the steel pail and mop and washed the floor. The old man had his back to her. Five to six.

‘Have you finished, love?’ she said.

She walked over to him. ‘I’ve got to lock up now.’

‘Five minutes,’ he said without looking at her.

She leant against the counter and watched the traffic lights change on the High Street.

At six, as usual, the old man got up from his table.

‘See you tomorrow,’ she said.

The bell on the door clattered.

She slurried the mop around where he’d been sitting. She picked up his mug and left it in the sink. She dropped the crumpled sugar packets in her overall pocket because she’d already taken out the rubbish.

And that’s when she saw them. After she’d turned out the main lights, just as she was opening the door.

a black umbrella
blows inside out — too late
to say sorry

Blue Tattoo November 2007

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the road rises at a blind corner expect nothing
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between traffic and the crash of surf the seeds of umbrella pines
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What happens when haiku happen

I'm delighted to post Paul Griffiths' account of a course held at Ty Newydd, near Criccieth, North Wales at the beginning of May. 'Haiku: Writing from Life and the Landscape' ran from 9th to 11th May, 2014 and it was a joy to lead. Please, join us, vicariously, for the weekend.
Haiku and haibun at Tŷ Newydd Writers’ Centre
This is an account of my participation in a weekend of discussing and writing haiku and haibun in a course on the theme, Haiku: Writing from Life and Landscape, held at Tŷ Newydd Writers’ Centre, Llanystumdwy, near Criccieth, Gwynedd, Wales, in May 2014.
Tŷ Newydd (The New House) is an old, beautiful building, looking across fields to the sea, a short walk away. David Lloyd George (1863-1945) grew up in Llanystumdwy and returned to the village in his last years, where Tŷ Newydd was redesigned for him by Clough Williams-Ellis (1883-1978), creator of Portmeirion village. Lloyd George’s grave, also designed by Williams-Ellis, stands close to the house, i…

In Interview with Jeffrey Woodward at Haibun Today

The Hungry Writer: An Interview with Lynne Rees
Lynne Rees started working with haiku forms in 2006, was haibun editor at Simply Haiku in 2008 and 2009, and co-editor, with Jo Pacsoo, of the British Haiku Society's Haibun Anthology, The Unseen Wind (2010). In 2011, she jointly edited, along with Nigel Jenkins and Ken Jones, another country, haiku poetry from Wales. Lynne has also published Learning How to Fall (poetry, 2005), The Oven House (novel, 2008), Messages (flash fiction collaboration with Sarah Salway, 2008), forgiving the rain (haibun, 2012) and Real Port Talbot (travel guide, local history & memoir, 2013).
JW: Let me ask first, with your permission, about your personal background. You come from Wales and I wonder what influence, if any, this circumstance had on your literary development and interests. The population of Wales is small when measured on the world's scale and Welsh history and culture are unique. Was a Welsh sensibility or identity formative for you …