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On the horizon: editing for CHO: Contemporary Haibun Online

If you're interested in haiku writing you're no doubt already aware of the web journal Contemporary Haibun Online.  Jim Kacian, and his editorial team, published my first haibun here back in 2007 as well as in their sister print publication the annual anthology Contemporary Haibun (Red Moon Press), about to celebrate its 15th issue. So I'm fizzing with new year delight to announce that I'll be one of three new editors at CHO after April 2014 alongside Bob Lucky (Editor in Chief) and Marjorie Buettner, both of whom are internationally successful haiku and haibun writers themselves.  All my writing energy from the last two years was spent in the research and writing of Real Port Talbot, an upbeat and offbeat story of my hometown in South Wales, UK. Amongst the 70,000 words of history and commentary you will find some poems, some memoir and a few haiku, although they are in the minority. But editing other people's work always inspires my own and I am sure t

It’s haiku, Jim, but not as we know it

First published in 'The Brief', Newsletter of the British Haiku Society, November 2013 It was delightfully appropriate that an email request in August this year to comment on inter-planetary haiku was preceded by the word, ‘Greetings!’ The only bit missing was, ‘Earthlings’. November 18th 2013 is the scheduled launch date of NASA’s MAVEN (Mars Atmosphere and Volatile Evolution Mission), a spacecraft that will explore the red planet’s upper atmosphere, ionosphere and interactions with the sun and solar wind. It will also deliver thousands of space and mars-inspired haiku to whatever audience might be lurking there. Or at least that was NASA’s intention when they announced their online haiku contest in March this year. Public voting took place during May and June. There were over 12,000 entries and over 39,000 votes. An enthusiasm for poetry writing that was only eclipsed by the staggering absence of any poetry. Or at least that was my reaction to the few dozen I read

tiny words: big appreciation

It's always encouraging to have a haiku chosen for tiny words and satisfying to have comments of appreciation posted there too. But when someone takes the time to analyse and dissect your haiku with insight and eloquence, and share that response, then that makes your appearance in the online journal even more worthwhile. Many thanks to Strider, Haiku Apprentice at Learning Haiku by Reading and Doing  for taking the time to respond to my haiku on 31st July 2013 . tinted mirror what I think I believe -Lynne Rees 'Wow, another haiku poem that raises and sets me pondering philosophical issues. Or should I say, "confronting" those issues. Because the "mirror" mentioned in the work confronts us all every day, with apparent certainty. Who am I? What face do I present to the world? And for that matter, what is "the world"? This is literally an "existential" haiku! This poem seems to deliberately set up an echo to Descarte