The people we sold the house too have lifted off the plaster on the far wall of the first floor and uncovered a section of a painted medieval wall beneath. I always knew it was there and don’t know why we didn’t do the same. But I am pleased to see it exposed now, the past rising into the present, keeping us company.
The dream is easy to interpret: I have a book to write about my hometown in South Wales. The photographs I take are the top layers of stories: at home I lift off each skin and slip deeper into other people’s lives. But I am slipping deeper into myself too: things half remembered, roads not taken.
so many questions
the wind whistles
in the wooden eaves